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In Flower Island, Song showed an unusual talent for the aesthetics of digital cinema, but here he takes it one step further. The result for me, however, is to make it much more of a thinking film than an emotional film.
Actors and Actresses of Korean Cinema
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The movie's resolution then plays out along the lines of the boxing film, but with one key difference that turns the genre completely on its head. Gradually, however, it is revealed that she is planning an elaborate revenge against Mr. Still, she's entitled to hundreds more falls since she already found artistic success with her very first effort. She desperately wants to become a willowy and elegant woman, which is the ideal type of her crush, In Guk-doo, a police officer.
The film score similarly presents contradictions, such as the hopeful melody that highlights the hopeless scene that ends the first half of this film. However I can't accept that this is the film's key purpose. How can a mermaid from the Joseon era survive in modern-day Seoul? Here, they said, was a uniquely talented director with a hard-edged, innovative style who could breathe new life into the aesthetics of independent-minded cinema. This is not a negative criticism, but part of what keeps bringing me back to Hong.
But most of all, this is a film about a small group of individuals who consciously decide to change history. And such is a life worth living.
However, even that knowledge did not stop people from asking each other if any part of it was real when the credits rolled. The appearance of this blurry image is so brief that the film-maker replays it several times and even circles the area we need to be looking in order for us to see it. Hyong-su's former classmates are meeting up for dinner to collect money to cover Hyong-su's hospital costs. Her strength is hereditary and passed along only to the women in her family.
Some of the ideas, such as the flurry of snowflakes that turns pink and then blood-red, are simple yet effective. Unfortunately, this obsession is shared by Sun-jae. Much of the film's strength must be attributed to the brilliant casting of Kim Ji-soo in the role of Jeong-hye. It is no mean feat to capture the characters in intimate, unguarded moments with handheld camera but to keep the stance non-intrusive, which is what Lee accomplishes here. Kim does have talent, and he employs some creative transitions in moving from scene to scene.
In Song's other works, such elements sometimes feel forced or self-consciously arty, but here they blend with the otherworldly presence of the island and add a sense of mystery. Lady Vengeance is clearly a work of a major artist, evolving before our eyes and improving his finesse. Vengeance or Oldboy may well be the very factor that might grant it a wider acceptance in North America and Europe. At first Park Chul-soo's Green Chair sounds like a fairly straightforward tale of sex and the occasional pang of guilt, but it ends up being much more interesting than that. The film presents such details with warmth and humor, resulting in a nuanced, touching, and subversive love story.
Hyun is persistent, however, and soon their relationship enters a new phase. Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career. Rules of Dating is a gutsy film, very funny with nasty undertones in that regard perhaps closer to a Hong Sang-soo film in spirit than the aforementioned Jealousy Is My Middle Name. Critics, their expectations confounded, were unimpressed, united healthcare stock option back dating cases particularly with Arahan.
Though the borders of her world are obviously quite limited, she seems happy, and the old man plans to marry her the day she reaches legal age. It is from here that the misspelled Korean title of the movie originated. The sole exception is a scene with a shaman and the resulting confusion of this short segment threatens to derail the carefully built up atmosphere.
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